Contextual studies Case Study Example | Topics and Well Written Essays - 1250 words

contextual studies - Case Study ExampleI. Introduction (160 words) Costume and set design is an element of a picture show production that tries to make a film seem real. Here the costumes and sets from two movies will be analyzed, for their skill to move the viewer backward and forward in time, making different worlds detailed, authentic, and ultimately, more believable. The movies that will be analyzed in each section are the movies The Hours and Peggy Sue Got Married. Costuming and set design can in all revolutionize the way a movie appears. If one has, as a director, sweeping visuals and detailed props, it makes an purlieu come alive with wonder. Costuming, especially in period pieces, unquestionably enhances the role of a movie, because the people playing in the movie are much more likely to feel that they are part of a genuinely-created world, but that it doesnt feel that it is created. It feels genuine, some(prenominal) to the performing artist creating the piece, as w ell as to the viewer. II. A Detailed military personnel (400 words) The details in the movie The Hours are chillingly accurate, from the decor in Virginia Woolfs position business firm to the clothes that she wears, as well as the sets designed for the characters at the other levels in the movie. Similarly, in Peggy Sue Got Married, Peggy Sues blast to the past back to the 60s before her and her husband got married has around very good sets and costuming. Details in sets and costuming make a movie seem more real, to be sure. Details such as the particular hat that Virginia Woolf wore in The Hours and her furnishings in her house are definitely throwbacks to 19th-century England. In The Hours, Mrs. Br receive (Richards mother) wears clothing that has an air of the 50s about it. Her household appliances and decor of her house are all post-war-inspired. The contemporary apparel that Meryl Streep wears in her appearance as Clarissa Vaughn (a friend of Richards) in The Hours, reflect s the dress and direction of a 21st-century woman living in Manhattan in New York. So do the furnishings in her own flat also reflect a modernistic tone with a homey and softversus removed and austerelook. Her flat looks lived-in and accessible. In Peggy Sue Got Married, we are vaulted from Peggy Sues late 20th-century natal day party which has a cake on the set that is shaped in the form of a life-size letter X, symbolizing, subconsciously, that she has gotten divorced. This is a key prop that is used to set the scene of the movie. The fact that Peggy Sue wakes up as a high school student at her parents house is frought with reminders from the 60s. Peggy Sue wakes up in the nurses office after supposedly fainting while giving blood. Peggy Sues house is typical of a house in the 60s, with its architecture and appearance. Peggy Sues clothing is typical of a 60s female high school studentcomplete with a hoop skirt and a letterman sweater. virtually of the details in this movie--su ch as Peggy Sues future husband Charlies car, an old Mustang with flared sides, and the bicycle ridden by poet-beatnik, black leather jacket-wearing Michael, whom Peggy Sue rides off with for an evening dateonly enhance the quality of the movie, and make one feel the genuineness of the movie with its surroundings. Thus, this movie becomes more real, as it were. III. An Authentic World (420 words) The worlds in both The Hours and Peggy Sue Got Married are authentic. This is because, in the movie The Hours, costuming and set design both contribute to the genuineness of the movie by having clothing and period pieces that evoke those particular time periods. The uniform is true of Peggy Sue Got Married. In The Hours, the flowered apron that Mrs. Brown wears, along with the decor of her